January 15th  The first Day of Paris Performance
The Eiffel Tower is so beautiful when lit up at night.

gWe Are in France!h

Dear Readers, how are you?
We are in Paris, France now. Rows of houses look orderly along the street and people on the street look fashionable here in Paris. By the way, today was a busy day. In the afternoon we appeared on an open live broadcast of radio. Three of us went to the radio station and performed in costumes for three minutes in front of audience. It may have helped to advertise gYamato.h Almost all the seats for our first performance were sold out. To tell you the truth, this is our first time to have concerts in France for these long days. We got excited when the three-week-long performance in Paris was decided.

 
January 16th The Second Day of Paris Performance
I want to eat here when we have a day off next time.

gWhere Are We?h

Itfs amazing! Japanese restaurants are so pleasant in Paris! People are waiting in a long line in front of every Japanese restaurant around lunch time. And to our surprise there is a Japanese restaurant named eFukuchiyamaf, which is the hometown of our star taiko drummer, Mr. Kenmei Matsushita.

 
January 17th  Third Day of Paris Performance

Mr. Takerui Matsushita leads the workshop.

g Extremely Tight Scheduleh

The schedule was so tight today too. We held a workshop at the theater in the afternoon and have a good time with French taiko fans. Then we left for a TV station to do rehearsal three times for midnight shooting. After that we rushed back to the theater, prepared in a hurry and had a concert. After finishing it we went back to the TV station and went on the air at half past midnight. We were on the air only for three minutes but it took us several hours from preparation to the actual take. Itfs a hard work to appear on TV. Time passed so fast and we fell fast asleep.

 
January 18th  Fourth Day of Paris Performance
A poster of gYamatoh in front of the shopping mall

Today we gave a mini-concert.

We performed at an event space in a CD shop in a shopping mall. We moved in a lot of taiko drums and began a mini-concert. The sound of taiko drums attracted large crowds and the venue grew livelier. As soon as the concert was finished, we moved the taiko drums back to the theater. We were still excited after the mini-concert and the excitement made the night concert still better.

 
January 19th  Fifth Day of Paris Performance
Our senior member, Ms. Akiko Ogawa is teaching Ms. Maiko Doi how to beat the taiko

We had two concerts a day for the first time in France and this year!
Two concerts a day may sound no big deal but in fact it makes us so exhausted that we can hardly get up. I donft know why but during the concert we never feel exhausted. Once we finish it, our consciousness sometimes nearly snaps and we donft even remember when we went to bed.

 
January 20th@Sixth Day in Paris
The Basilique du Sacre-Coeur

Hi, Readers! Ifd like to tell you about Paris.
This is the first tour guide by gYamato.h
Ifll tell you about the Basilique du Sacre-Coeur.

The website says as follows. The style is Romano-bysantine. In 1870, war broke out between France and Germany and France faced military defeat. The response of MM. Alexandre Legentil and Hubert Rehault de Fleury was spiritual. They vowed to build a church consecrated to the Heart of Christ in reparation. It took a several months to work on the foundations. Underpinning pits 33 meters deep were needed. It cost more than 40 million franc and took 40 years to complete the construction.
Itfs a beautiful while building. I hope you are able to feel as if you were sightseeing in Paris by reading our tour guide.

 
January 21st@Seventh Day in Paris

Wefve gone up La tour Eiffel.

Today is the first day off since we came to Paris on tour.
This is the second tour guide by gYamato.h Itfs about La tour Eiffel.

The structure was built between 1887 and 1889 as the entrance arch for the Exposition Universelle, a World Fair, marking the centennial celebration of the French Revolution.
It was designed by Maurice Koechlin and it was named after its designer, engineer Gustave Eiffel.

 
January 22nd  Eighth Day in Paris
The man who were told off-----Mr. Gen Hidaka

gThe Second Week in Parish

This week we are giving seven concerts in six days too. Sound of the taiko is heard here and there. We never stop practicing. During the sound check we are not allowed to make any noise but we didnft stop practicing at the hallway and were told off for disturbing the sound check.

 
January 23rd Ninth Day in Paris
Takahiro is practicing hard beating the taiko to the melody.

gHayate (A Gale)h

We, gYamatoh have a number, gHayateh, which is a piece of the samisen (three-stringed Japanese instrument) and the taiko. One of our trainees, Mr. Takahiro Mon is desperately practicing its taiko part. He says that he seldom listens to music unlike young people of these days. I guess it will be difficult for him to time his taiko-beat to melody and sure enough he has difficulty timing his beat to the melody of the samisen.
gHang in there, Takahiro! Leave yourself to music!

 
January 24th Tenth Day in Paris
The miniature bulb which guards the stage
gA Measure against ghostsh

In France when they close the theater after the show, they leave there with a miniature bulb on. What do you think it is for? To prevent ghosts from playing a trick on things on the stage in the dark. (Staff members are serious, by the way.) It sounds strange to us Japanese, but a humorous custom like this adds a relish to the world tour. Stay at it, Mini Bulb! Wefve left the lookout for the night to you!
 
January 25th Eleventh Day in Paris

A shot in front of the triumphal arch.

The third tour guide by gYamatoh!
---Letfs share the atmosphere of Paris.---
Today wefd like to tell you about ---the triumphal arch!
The triumphal arch is one of the buildings which symbolize Paris. The word, triumphal arch often refers to the Etoile Triumphal Arc, which is one of the world famous tourist attractions. Twelve streets including Champs Elysees radiate from the triumphal arch. As it looks like a star (etoile), it was called la place de lfEtoile. So it has an official name gArc de triamphe de Etoileh meaning an triumphal arch at the place of Etoile. However it is now called la place de Charles de Gaulle, I hear.
It is Mr. Kenmei Matsushita who is standing in the middle of the picture. Itfs funny that he looks as if he were wearing the triumphal arch on the head.

 
January 26th Thirteenth Day in Paris
These are the big bread and the extra bread.
France reminds me of gpain,h for it means bread in French. While walking 15 minutes from our hotel to the theater every day, we smell bread, pastry, crepe and so on whose smell is sent out by a lot of bakeries and crepe shops on the street. We were surprised to find big bread in a bakery and decided to buy it. We got the big bread and extra small bread for free. We decided to eat them for tomorrow breakfast but took a bite of them after dinner. It tasted so good that we ate up all of them.
 
January 27th Thirteenth Day in Paris
A shot in front of the tower with a poster of gYamatoh on it
This is the last day of the second week in Paris. We feel thankful to the large audience for coming to our concerts. It was decided that we will give additional performance on the last day of next week. By the way a staff member of the theater told us that French audience rarely does a standing ovation, but they give it to us at every concert. We could not be happier to be able to move people by our performance. We have another week to go. We will try as hard as possible at the rest of our concerts..
 
January 28th  Fourteenth Day in Paris
We are heading for the Louvre.

gWe visited the Louvre.h

This is the second day off in France. The most likely place for us to visit is of course the Louvre! We saw a lot of works that we had seen in our school fine art text books; for example, gthe Venus of Miloh and one of the most famous in the Louvre, gthe Mona Lisa.h There were so many people around the famous work that we had difficulty finding it. gOh, here it is! Ohhhhhc. it was smaller than we had expected, we thought.

 
January 29th  Fifteenth Day in Paris
A shot in front of the theater, Casino de Paris

gThird week has begun in Paris!h

Today we entered the theater at 10 a.m. and kept practicing all the time until 7 p.m. As we have just another week left in Paris, we are all fired up for performance. Todayfs audience warmed up the concert by cheering as if they knew our enthusiasm. We were in high spirits all the more for the excited audiencefs reaction. Thanks to the excitement we were comfortably tired after the concert.

 
January 30th  Sixteenth Day in Paris
Mr.Takeru Matsushita devoted to beating the big taiko
gPracticeh

The first thing we do at the theater is practice. We give more than 2000 shows in a year. Hard practice is inevitable to do so many performances. One of the members, Mr. Takeru Matsushita practices so hard and the ghostly sight of his practice impresses us. He never compromises, which boosts the other membersf morale. His strong and manly taiko drumming vibrates the strained atmosphere. His drumming motivates us to practice harder.
 
January 31st  Seventeenth Day in Paris
They look so good!
gSweets in Parish

We bought some sweet rolls on our way to the theater. We ate them instead of usual rice balls to fortify ourselves for the performance. The sweets in the show case at the bakery looked so delicious that we took a picture of them.